Monday, 25 November 2024

Arts & Life



MILE 22 (Rated R)

With a 95-minute running time, “Mile 22,” directed by Peter Berg (“Lone Survivor”), is on a tight leash for the explosive action in a foreign land that runs at breakneck speed with a minimum amount of downtime.

The prologue sets the pace when a team of covert agents, led by James Silva (Mark Wahlberg), conduct a raid on a Russian safe house in an American suburb and end up in a deadly shootout.

To get the idea that Silva is a fighting machine with smarts, we learn a bit about his troubled childhood and propensity for violence. But he’s also a savant pouting off about world affairs, history and other weighty matters.

For a trained covert agent, Silva is talkative and animated, often rubbing people the wrong way. No wonder someone calls him bi-polar. Yet working with his close colleague Alice Kerr (Lauren Cohan), Silva’s all about the mission.

Silva’s elite paramilitary team ends up in Southeast Asia in the fictional country of Indocarr, where the objective is transport a foreign intelligence asset to an airfield for an extraction located 22 miles from the U.S. Embassy.

The asset is Li Noor (Iko Uwais, “The Raid” films), an officer of the local Special Forces who has been spying for the Americans and holds the key to disabling a program that would launch a terrorist attack.

In exchange for the vital information, Noor demands immediate relocation to the United States, at which time he’ll turn over the intelligence. Silva and his team are the only ones capable of completing the task of the urgent mission.

A commanding officer tells Silva’s team if they fail, “you will be responsible for the single largest intelligence fumble since a flight instruction school in Florida failed to grasp the significant of a 19-year-old terrorist saying he didn’t need to learn how to land.”

Well, failure is not an option for someone like Silva or his equally tough partner Alice. Yet, navigating the streets of the densely urban city is extremely perilous when bands of lethal mercenaries on motorcycles as well as police and military engage the Americans in fierce battles.

For his part, Noor quickly establishes his martial arts skills in a well-choreographed fight with two assassins that infiltrate the Embassy’s infirmary. Even when handcuffed to a gurney, Noor is a deadly force to be reckoned with.

The transport operation in hostile foreign territory is so fraught with peril that the members of Silva’s team have to resign from government service. This closely parallels what’s required of Tom Cruise’s clandestine squad in the “Mission: Impossible” films.

Pulling the strings behind the scenes is a secret group called Overwatch under the command of Bishop (John Malkovich), who is often called Mother. Watching them in action with computers is about the only time the fast-paced action takes a break.

While “Mile 22,” even with its spectacular chase scenes and brutal gunfights is not on par with the recent “Mission: Impossible” films, it certainly does hold the attention of action fans to enjoy an explosive thriller.



‘LODGE 49’ ON AMC

Pinning a label on AMC’s new series “Lodge 49,” which blends quirky comedy with drama, may be hard to do, and even AMC comes up with its description as a “light-hearted, endearing modern fable set in Long Beach, California.”

Whatever it may be, “Lodge 49” is an almost mystical journey about a disarmingly optimistic, yet down-on-his luck, surfer named Sean “Dud” Dudley (Wyatt Russell), who’s drifting after the death of his father and collapse of the family pool cleaning business.

A likable character that drives a vintage yellow VW Thing and hangs out at the local donut shop, Dud keeps breaking into the old family home that was sold in foreclosure only because he has no other place to go.

Meanwhile, his sister Liz (Sonya Cassidy), who does not share Dud’s sunny disposition, is waitressing at a local tavern and at least has her own apartment. Dud ends up on her sofa as a last resort.

On one sunny day, as his vehicle stalls, Dud serendipitously finds himself on the doorstep of a rundown fraternal lodge, where a middle-aged plumbing salesman and a “Knight of the Order,” Ernie (Brent Jennings), welcomes him into a world of cheap beer and easy camaraderie.

During the summer TV press, show creator Jim Gavin lamented that social media arms people with “digital hate cannons,” while the Lodge is “a place where different types of people can actually meet face-to-face.”

Since Dud doesn’t have a cell phone and can’t even get the local pawnbroker he routinely insults to take any valuables, home of the Ancient and Benevolent Order of the Lynx seems like the place to be regardless of the pushback from his skeptical sister.

As observed by the show’s creator, there is a mysterious aspect to the Lodge and “the history of alchemy will send us on different paths and quests.” One may have to ponder the philosophical facets of “Lodge 49.”

Tim Riley writes film and television reviews for Lake County News.

KELSEYVILLE, Calif. – On Saturday, Sept. 15, the Coffee House Concert Series will present an evening of unique guitar performances by three musicians.

Presented by the Unitarian Universalist Community of Lake County, the concert will be held at Fore Family Winery Tasting Room at 3920 Main St. in Kelseyville.

The concert begins at 7 p.m.

Seating is limited. Tickets are $15 and may be purchased at Watershed Books in Lakeport, online at www.uuclc.org, at the tasting room, and at the door.

Singer/songwriter Jack Williams plays country, rock and R&B on electric and steel-guitar.

Williams is currently touring the US, playing major music festivals and venues. Music legends Peter Yarrow (of Peter, Paul, & Mary) and Tom Paxton have lauded Williams as “the best guitar player I’ve ever heard” and “one of my all-time favorite pickers.”

Williams is known for his entertaining and high energy performances. He often concludes his shows with a unique finale – a medley of songs and stories that span the varied styles and voices of his musical past, keeping audiences enthralled from start to finish.

Local guitar and bass duo Harry Lyons and Rick McCann have been performing together for over thirty years. They deliver jazz standards peppered with lyrics of international flavor and local interest.

Lyons, the singing oceanographer, taught at Mendocino College, Yuba College, the University of British Columbia and Seattle University.

He has performed traditional jazz at American and European festivals, gin mills and tasting rooms.

McCann has taught music in Saratoga and San Jose; later, he taught at the local community colleges and headed the Orchestral String Program for the Lake County Office of Education.

Ted Kooser. Photo credit: UNL Publications and Photography.

"Lie down with dogs and you get up with fleas."

Well, lots of dog lovers willingly accept that risk.

Tami Haaland served as Montana's fifth poet laureate and she teaches at Montana State at Billings.

The following poem is from her book, “What Does Not Return,” from Lost Horse Press.

Sleeping With the Chihuahua

In the evening she comes to me
like a child ready for bed.
She slips under covers, curls
into my curves or stretches against
my spine. Some have said they fear
I might crush her, but we're a tender
pair, each aware of the warmth
and the other.

I knew a woman once who kept
an orphaned antelope, let it
roam her kitchen, sleep in her bed,
musky scent and hooves.

This dog looks like a small deer,
poised and silent in the lawn,
but at night, she is a dark body, lean
and long against the lavender cotton
of my summer sleeping. We are bone
and bone, muscle and muscle,
and underneath each surface
a quiet and insistent pulse.


American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2018 by Tami Haaland, "Sleeping With the Chihuahua," from What Does Not Return, (Lost Horse Press, 2018). Poem reprinted by permission of Tami Haaland and the publisher. Introduction copyright ©2018 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Work by Rolf Kriken and Nicholas Hay. Photo by the Middletown Art Center staff.

MIDDLETOWN, Calif. – This Friday, Aug. 31, please join the Middletown Art Center in conversation with artists from MAC’s current exhibit, “Issues.”

The event starts at 6 p.m. and runs until 7:30 p.m.

Local artists Rolf Kriken, Terry Church, Ben vanSteenburgh III, Lisa Kaplan and Christalene Loren among others will share the perspectives their works evoke on the issues of today.

Art, community, insight and fun will be shared liberally during the event. Wine and beer will be for sale, MAC members get a free glass during the event. This is a great way to kick off your holiday weekend.

In the MAC Garden outdoors, you’ll find the Middletown Community Farmers Market which features fresh produce artisan balms, crafts, clothing and more from 5 to 8 p.m.

Be sure to catch this season’s final Middletown First Friday Art Walk and Fashion Show on Sept. 7, 5 to 9 p.m. Learn more on the MAC Web site events page.

Join MAC and be a part of the growing arts and culture scene in South Lake County. Become a member, participate in weekly “Restore” and other classes, or come to any of the many arts and cultural events hosted at MAC.

Visit www.middletownartcenter.org, like Middletown Art Center on Facebook or call the Art Center at 707-809-8118 to stay up-to-date on what’s happening at MAC.

Work by Karen Turcotte, Christalene Loren and Terry Church. Photo by the Middletown Art Center staff.

Dustin Hoffman stars in “Little Big Man.” Courtesy image.

LAKEPORT, Calif. – The 1970 western, “Little Big Man,” starring Dustin Hoffman, Faye Dunaway and Chief Dan George, screens at the Soper Reese Theatre on Tuesday Sept. 11, at 1 and 6 p.m.



THE MEG (Rated PG-13)

Scientists believe that the giant prehistoric shark known as the Megalodon existing millions of years ago is an extinct species even if conspiracy theorists like to claim that the predator still roams our oceans.

The fascination with sharks that dates back over four decades to Steven Spielberg’s “Jaws,” where thrills thrived in the hunt for the deadly great white shark, had to lead one day to something bigger, and that’s where “The Meg” fills the cinematic void.

The combination of menace from a giant predator and the presence of Jason Statham enticed out of retirement for a rescue mission at the depths of the China Seas makes the essential ingredients for the mindless fun of the popcorn entertainment of “The Meg.”

Statham’s Jonas Taylor was part of a deep-sea rescue attempt years before that had gone wrong, resulting in him becoming an alcoholic slacker on a fishing boat in Thailand because no one believed that he escaped death in a brush with the prehistoric killer.

Some of Jason’s old colleagues are now working for eccentric billionaire Jack Morris (Rainn Wilson) who’s financing an undersea observation program that finds its submersible trapped on the ocean floor. Enter Jonas to save the day.

With people in peril, the formula calls for some melodrama which is offered up when Jonas becomes aware that his ex-wife (Jessica McNamee) is part of the crew trapped miles deep at the bottom of the Mariana Trench.

More than anyone, Jonas instinctively knows what the 75-foot prehistoric shark lurking beneath the sea represents in terms of danger even if others may unwisely think they’ve made a great scientific discovery that can be shared with the world for their own aggrandizement.

Any familiarity with the tropes of a thriller that pits man vs. beast is surely the path to knowing how this story plays out. “The Meg” borrows from the likes of “Jaws” and “Godzilla,” and maybe even the “Sharknado” films, albeit without the outlandish silliness.

Of course, the mission includes a beautiful Chinese scientist single mom, Suyin (Li Bingbing), who overcomes her initial resentment of Jonas’s presence to transition to a flirtatious admiration for his bravery if not just his stunning physique.

The payoff for thrills comes nearer to the climax, where first Jonas and his surviving mates face almost certain death when their trawler is capsized by the brute force of the vengeful Megalodon.

Recalling scenes from “Jaws,” the last stand comes at a crowded beach resort where swimmers frolicking in the ocean are in great peril. As expected, panic and mayhem ensue.

Will Jason Statham save the day again? You know the answer but probably want to see our hero in action anyway.



‘CASTLE ROCK’ ON HULU

Even the most rudimentary knowledge of the prolific work of author Stephen King (which I admit, for me, is rather limited to the basics) will not detract from the off-kilter enjoyment of creepy horror series “Castle Rock” set in his trademark Maine venue.

Running on Hulu, “Castle Rock” could fairly be described as more disturbing psychological occult thriller than true horror, but horrific scenes take place in the fictional hamlet of Castle Rock, which is home to the Shawshank state prison and a decaying town center.

In the first episode, retiring Warden Dale Lacy (Terry O’Quinn) comes to an untimely end, the details of which should not be revealed. There are enough temptations to divulge some spoilers but they must be resisted because “Castle Rock” is layered with mystery and suspense.

Suffice it to say, the catalyst for the central story is the discovery of a prisoner locked away in an abandoned section of Shawshank. The inmate (Bill Skarsgard) has no name or fingerprints, nor does the prison have any records of his existence.

Acting mute for the most part, the prisoner can only utter the name of Henry Deaver, an odd coincidence as that is the name of the town’s only African-American child who mysteriously disappeared in 1991 for eleven days.

The real Henry Deaver (Andre Holland), raised by a white pastor and his wife, feels so alienated from his hometown that his practice of law lands him in Texas as a defense attorney for death penalty cases.

Called back to Maine by a mysterious phone call from the prison, Henry finds little has changed in Castle Rock, though his adoptive mother Ruth Deaver (Sissy Spacek) shows signs of dementia and shares the house with former sheriff Alan Pangborn (Scott Glenn).

Strange characters abound, including just about anybody connected to the prison and Henry’s childhood friend Molly Strand (Melanie Lynskey), troubled by drug addiction and harboring dark secrets.

A telling remark about the atmosphere in Castle Rock is after Molly pitches a gazebo in the town center as a place for contemplation, her friend retorts that the “only thing people contemplate in this town is suicide.”

My educated guess is “Castle Rock” should prove satisfying to the Stephen King fan base.

Tim Riley writes film and television reviews for Lake County News.

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