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Joe Louis Walker. Photo by Mickey Deneher.


LAKEPORT, Calif. – Blues Hall of Fame inductee Joe Louis Walker is a legendary, boundary-pushing icon of modern blues – a leading light who has played his electric guitar with the likes of B.B. King, Jimi Hendrix, John Lee Hooker and Muddy Waters.

He makes a special appearance in Lake County on Sunday, Dec. 9, at 7 p.m. at the Soper Reese Theatre in Lakeport.

Walker is one of the greatest bluesmen of his generation. He is a four-time Blues Music Award winner, Blues Foundation Contemporary Male Artist of the year, and was nominated for a Grammy for Best Rock Blues Album of the Year for his latest release, “Everybody Wants a Piece.” The New York Times calls him “… a singer with a Cadillac of a voice. He delivers no-nonsense, gutsy blues. His guitar solos are fast, wiry and incisive, moaning with bluesy despair.” Rolling Stone simply calls him “ferocious.”

For more information on Joe Louis Walker, including videos and photos, go to www.joelouiswalker.com.

Tickets are on sale now for $25, $20 and $15. All seats are reserved. The theater’s dance floor will be open. Doors open at 6:30 p.m.

Tickets are available online at www.SoperReeseTheatre.com, or at The Travel Center, 1265 S. Main, Lakeport, Monday through Friday, 9 a.m. to 5 p.m. For more information call 707-263-0577.

The Soper Reese Theatre is located at 275 S. Main St., Lakeport.
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LAKEPORT, Calif. – The Lake County Theatre Co. is thrilled to be hosting open auditions for its next show, Marc Camoletti’s “Boeing Boeing.”

Auditions will be held at at 555 Hillcrest Drive in Lakeport beginning at 9 a.m. Saturday, Dec. 1, and Tuesday, Dec. 4, at 6 p.m. (call-back and by appointment on Thursday, Dec. 6, at 6 p.m.).

Required audition readings are posted on the theater company’s Web site at www.lakecountytheatrecompany.org.

LCTC seeks male and female actors ages 18 and up for this sexy, non-stop comedy.

This 1960s French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancées, each a beautiful airline hostess with frequent “layovers.”

He keeps “one up, one down, and one pending” until unexpected schedule changes bring all three to Paris, and Bernard’s apartment, at the same time.

Bernard’s college buddy Robert, and his maid round out the cast.

Performances of “Boeing Boeing” will take place at the Little Theater at the Lake County Fairgrounds March 1 to 17.

For more information, please call 707-278-9628.
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“Makin’ Tracks With My Horses and Mules” has been awarded fifth place in the 2018 Will Rogers Medallion Award Biographies & Memoirs category. Courtesy image.

Janie and Judy Hendricks, originally from Lakeport, Calif., and descendants of the early pioneering Hendricks family, were recently awarded a fifth place finish in the 2018 Will Rogers Medallion Award contest for their memoir, “Makin’ Tracks With My Horses and Mules.”

The Will Rogers Medallion Award honors those books that represent an outstanding achievement in the publishing of Western media.

The Will Rogers awards help to expand the heritage of literature which honors the traditions and values of the American Cowboy.

“Makin’ Tracks With My Horses and Mules” was entered in the Biographies & Memoirs category.

The book is set in Scotts Valley from 1944 through 1981, and tells of the life of two girls who grew up horseback, in a place not much different from when their ancestors homesteaded in 1850.

“Makin’ Tracks With My Horses and Mules” is written to honor their horses, and the adventures they provided, and makes for lively reading, because ranch kids live life at a full gallop.

The sisters co-authored the first half of the book. The second half chronicles older sister, Janie as she moves to Western Montana in 1981, and follows her horse/mule adventures into hunting camps, wilderness areas and the show ring, and covers from then, until the present.

Now known as Jane Lambert, Janie and her husband, Eric, were in Fort Worth, Texas, on Oct. 27, for the Will Rogers Medallion Awards banquet.

In 2014, Jane Lambert’s earlier book, “Charlie Russell, The Cowboy Years” received a Bronze Medallion.

Will Rogers was a respected writer as well as being an entertainer, and to receive an award with his name on it, carries great honor.

Many illustrative photographs spotlight the fifty horses and mules featured. The adventures will make you laugh, perhaps cry, and offer some life lessons along the way.

“Makin’ Tracks With My Horses and Mules” retails for $20 and is available on Amazon.
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‘BODYGUARD’ ON NETFLIX

Netflix offers variety not easily obtained on network or cable television. For one thing, it makes interesting foreign programs readily available for binge-watching.

“Bodyguard,” a political thriller in the backdrop of terrorism on the home front, is a BBC series that drew huge audiences in the United Kingdom and apparently for the good reason of riveting, intriguing drama.

London police officer David Budd (Richard Madden) is on a train trip with his two young children when his alert senses tell him that something is wrong. Before long, he’s defusing a female suicide bomber’s mission to blow up the train.

At once, the off-duty police sergeant demonstrates an uncanny ability to talk down a terrified young woman who has been brainwashed by her cowardly husband to carry out a terrorist attack, and he risks his own life in doing so.

Uptight in his demeanor, Sgt. Budd, a war veteran who suffers from PTSD and a broken marriage, demonstrates that he remains so cool in a tense situation that he is promoted as a protection officer for dignitaries.

His new assignment is to protect Britain’s Home Secretary Julia Montague (Keeley Hawes), an ambitious politician with a hardened stance on enhancing counter-terrorism efforts in the wake of increasing threats to national security.

Budd, who still hangs out with a disfigured war buddy with a grudge against the government, may not be in sync with the ardent views of the cabinet minister, but he is the consummate professional in most respects.

Before too long, an assassination attempt on the home secretary is foiled when Budd’s level-headed skills come into play. But the question remains, who is behind this plot and what lies ahead?

Though Julia and Budd develop a relationship that goes beyond the professional, the police officer is never far removed from inner turmoil about his wartime experiences or the fact that he eagerly wants to reunite with his estranged wife Vicky (Sophie Rundle).

While the square-jawed Budd remains stoic most of the time, he’s keenly observing the machinations of adversarial security services, where Julia is not above prodding the various agencies with sharp questions about their handling of terror plots.

“Bodyguard” has plenty of intrigue, to say nothing of corruption, duplicity and backstabbing, that should not be revealed, but suffice it to say there are many twists and turns to make this political potboiler worthy of the popularity it garnered with British viewers.



‘ELITE’ ON NETFLIX

A Spanish import, “Elite” is a murder mystery wrapped into a teen drama about three working class kids who get enrolled in an exclusive private school where the clash between them and the wealthy students is inevitable.

“Elite” may conjure up memories of so many American teenage dramas, such as “Gossip Girl,” “The O.C.,” “Riverdale,” and likely several more but with a lot of sex, profanity and drug use.

The story unfolds in two levels, the past and the present. Aside from a student walking the school halls covered in blood in the opening episode, the beginning may seem like the present, but it isn’t, because the three outsiders are first introduced in the past.

The present is all about a police investigator questioning everyone about the murder of a student. The scholarship kids, Samuel (Itzan Escamilla), Christian (Miguel Herran) and Nadia (Mina El Hammani), will face interrogations just like everyone else.

The arrival of three strangers to preppy Las Encinas stirs controversy and social ostracism. Chief tormentor of the new kids is Guzman (Miguel Bernardeau), an arrogant snob who fashions himself as the leader of his inner circle of equally obnoxious classmates.

The hostile environment proves challenging for the sensitive Samuel, who works as a waiter to support his family, and for the industrious Nadia, a Muslim girl trying to live up to her family’s ideals even as the school requires her to ditch wearing a hijab to class.

On the other hand, Christian, the smooth talkative sort who is not easily intimidated, doesn’t mind confronting the social mores, going even further when he ends up in a love triangle with free-spirited Carla (Ester Exposito) and the voyeuristic Polo (Alvaro Rico).

The social order at the ritzy school is soon disrupted when rebellious Marina (Maria Pedraza), Guzman’s sister, takes a liking to Samuel, inviting him to her glamorous debutante party that she just as easily would forego but for the wishes of her ostentatious parents.

Home life creates other problems for Samuel when his older brother Nano (Danna Paolo), carrying a large chip on his shoulders, is released from prison and that the fact he owes money to some criminals causes grief for the entire family.

“Elite” runs through every possible scenario of teen angst, from the closeted son of the principal with a drug problem and insecure bullies to jealous overachievers and promiscuous girls with latent regrets.

For those willing to take the ride, “Elite” lends itself, like many Netflix series, to binge-watching, more so to discover the twists to solving the murder mystery.

Tim Riley writes film and television reviews for Lake County News.
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The Rothstein Ensemble. Courtesy photo.


LAKEPORT, Calif. – The Rothstein Ensemble opens the Christmas season on stage at the Soper Reese Theatre on Saturday, Dec. 1, with a unique concert encompassing the silly, sentimental, sacred and serious.

The concert will begin at 7 p.m. All ages are welcome.

Don your ugliest Christmas sweater and join the Rothstein Ensemble for an intimate evening of stories and songs, many personal and original. The group will play original compositions and jazzy pop songs.

Leaders of the group, Matt and Jill Rothstein, are accomplished musicians, arrangers, and composers. Both were raised in Lake County and the pair have been leading musical ensembles for nearly a decade.

Matt Rothstein was recognized by DownBeat Magazine and the Grammy Foundation as a prodigious talent while in high school.

Jill Rothstein began composing music at the tender age of eight and was the 2007 award winner for music theory and composition at Azusa Pacific University.

Joining the Rothsteins on stage are Lake County’s own master musician, Tom Aiken on piano, keyboards and Melodica, as well as Dan Meyer, vocals; Raj Sodhi, upright bass; Jacob Turner, guitar; and Alan U’Ren, percussion.

Tickets are on sale now; the cost is $15 for adults and $10 for children 18 and under. All seats reserved.

Doors open at 6:30 p.m.

Tickets are available online at www.SoperReeseTheatre.com, or at The Travel Center, 1265 S. Main, Lakeport, Monday through Friday, 9 a.m. to 5 p.m. For more information call 707-263-0577.

The Soper Reese Theatre is located at 275 S. Main St., Lakeport.
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NORTH COAST, Calif. – The Mendocino College Theatre Arts Department will hold auditions soon for the upcoming Spring 2019 production of “Once Upon A Mattress,” a delightful musical extravaganza with music by Mary Rodgers, lyrics by Marshall Barer, and book by Jay Thompson, Dean Fuller and Marshall Barer.

“Once Upon a Mattress” is an exuberant family-friendly musical romp based on the classic story of "The Princess and The Pea." Carried on a wave of wonderful songs, by turns hilarious and raucous, romantic and melodic, this rollicking spin on the familiar classic provides for some side-splitting shenanigans.

Director Reid Edelman seeks a large cast of 25 to 35 singers, dancers and actors, ages 14 and up. All actors must be high school age or older. No prior experience is needed, just a desire to perform and a love of musical theater.

This is an exciting opportunity to participate in a professionally staged musical on a college stage. Performers will sing to the accompaniment of a live orchestra, and experience the magic of performing musical theater in a fully equipped state of the art space with the support and guidance of the college's faculty and artistic team.

The rehearsals will begin in mid-January and continue until the show opens on March 22, 2019. Performances will run through March 31. In addition to director and college theater professor Reid Edelman, the show’s directorial team includes musical director Phillip Lenberg, vocal directors Janice Timm and Marilyn Simpson, and choreographers Eryn Schon-Brunner and Maria Monti.

Auditions will be held on Saturday, Dec. 8, starting at 10 a.m. According to Edelman, “Don't worry if you are not a trained dancer. Not all roles require extensive dancing, and our choreographic duo of Eryn Schon-Brunner and Maria Monti love to teach all actors to dance.”

Everybody who auditions will need to sing, dance and act. However, no previous training or experience in these areas is needed. For the dancing auditions, performers are asked to wear comfortable clothes and to be prepared to learn a short dance routine that will be performed with a group during the audition.

Actors at auditions will also be asked to sing a song of their choosing. Selecting a song from a Broadway musical that has both dramatic / character content as well as showing off your singing voice is recommended. The song should be 60 seconds or less, so actors are encouraged to start at the best part of their piece. If possible, actors should bring sheet music, as an accompanist will be provided.

Edelman, however, emphasizes that nobody should be intimidated. “Don't worry if you can't find a song or if the idea of a prepared song terrifies you. You can always just sing ‘Happy Birthday’ or ‘Mary had a Little Lamb.’ We just want to hear your voice!”

The song will be the initial acting audition as well as the singing audition, so choosing a character song with dramatic content will be helpful.

Initial singing and dancing auditions will take place on Saturday, Dec. 8, starting at 10 a.m. in the dance studios (rooms 800 and 820 in the Athletic Building) on the Mendocino College Ukiah campus. Performers should also save Sunday, Dec. 9, for call-backs from 1 to 5 p.m.

All roles are being cast by open auditions; no roles are precast. Roles being cast include:

THE MINSTREL: the character is older, but can be played by an actor of any age & gender... sings & dances, the storyteller of our revisionist fairy tale

PRINCE DAUNTLESS: the lovable yet naive young prince. Dominated by his mother who wishes to keep him her baby forever. By the queen's decree, nobody can marry until he does, and if the queen has her way, he never will.

QUEEN AGGRAVAIN: the aforementioned villainous queen. Dominates her husband and her son, and does NOT play fair!

LADY LARKEN: romantic lead, in love with Sir Henry, and recently pregnant. She and Sir Harry would like to marry, but they can't, due to the queen's anti-marriage rule. If she starts to show, things are going to get dicey!

KING SEXTIMUS THE SILENT: he communicates only in charades. Under a spell that will not allow him to speak until "the mouse devours the hawk."

JESTER: any age, any gender...side-kick to the minstrel and the king...a delightful role.

THE WIZARD: a magician serving the queen...any age & gender

SIR HARRY: the romantic lead-type. Melodic voice and very in love with Lady Larken, though a bit too full of himself.

PRINCESS WINIFRED: her friends just call her FRED... She says she is terribly shy, but she has the energy and shine of a million-watt bulb! She can drink, lift weights and swim moats with the best knights, but under her brash exterior, she is a true romantic at heart.

Plus a large chorus of singing and dancing knights and ladies.

In addition to the performance opportunities, numerous backstage production positions are also available. Crews are needed to build scenery, props and costumes as well as to work as assistant stage managers, light and sound operators and run-crew.

For those with a particular interest in learning to build costumes, there will be a costume construction course taught by Kathy Dingman-Katz in association with this production. This fun class will meet Tuesday evenings from 6 to 9:50 p.m. during Mendocino College’s Spring semester.

People interested in joining the “Once Upon a Mattress” production team should contact Technical Director Steve Decker at This email address is being protected from spambots. You need JavaScript enabled to view it..

For information call Reid Edelman at 707-468-3172 or e-mail This email address is being protected from spambots. You need JavaScript enabled to view it..

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