Sunday, 24 November 2024

Arts & Life

Ted Kooser. Photo credit: UNL Publications and Photography.

John Stanizzi is a poet living in Connecticut, whose work we've published before. His most recent collection of poems is Chants, from Cervena Barva Press.

Our column has published a number of poems about facing the loss of family members, and others about the rush of time. This poem addresses both subjects.

Ascension

First day of February,
and in the far corner of the yard
the Adirondack chair,
blown over by the wind at Christmas,
is still on its back,
the snow too deep for me
to traipse out and right it,
the ice too sheer
to risk slamming these old bones
to the ground.
In a hospital bed in her room
where her bed used to be,
and her husband,
my Aunt Millie keeps reaching up
for the far corner of the room,
whispering That is so interesting.
I will go now.
In April
I will walk out
across the warming grass,
and right the chair
as if there had never been anything
to stop me in the first place,
listening for the buzz of hummingbirds
which reminds me of how fast
things are capable of moving.

American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2018 by John Stanizzi, "Ascension." Poem reprinted by permission of John Stanizzi. Introduction copyright ©2019 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

The practice of block printing. Photo by Middletown Art Center staff.

MIDDLETOWN, Calif. – The Middletown Art Center’s Restore project will feature a class on printmaking on Sunday, March 3.

Join artist John Jennings for a the block printing workshop from 1 to 5 p.m.

Participants can choose to create linocuts or woodcuts this session. Adults and children age 12 and up of all levels of art making experience, from newbies to professionals, are invited to join the class for just $5.

“In my journeys through the various modes of printmaking, I’ve found none quite as dynamic as relief printing, whether linocuts or working on wood,” explained Jennings. “We will explore the range of possibilities from vigorous to delicate lines and the play of light and shadow in defining our two dimensional space. In our class I hope to introduce the participant to the magic of relief printing: from the drawing stage to the transfer of the drawing to the linoleum block, to the carving of the block to printing of the image. The thrill of pulling the rice paper off the block and seeing your work in ink on the page is like no other.”

Please register in advance for all Restore classes at www.middletownartcenter.org/restore , email This email address is being protected from spambots. You need JavaScript enabled to view it. or call 707-809-8118. Space is limited and reservations are required.

Works from Printmaking classes will contribute to MAC’s second chapbook of writings and images, as well as Restore exhibitions.

The first chapbook, “Resilience – a community reframes disaster through art,” is available for purchase at MAC or on the MAC website. You can preview the book online.

Middletown Art Center is located at 21456 Highway 175 at the junction of Highway 29. Be a part of the growing arts scene in South Lake County by becoming a MAC member, by coming to Restore printmaking this Sunday, or by attending one of the many arts and cultural events or classes at MAC.

Visit www.middletownartcenter.org or “Like” Middletown Art Center on Facebook to stay find out more about what’s happening at the Middletown Art Center.

The Soper Reese Theatre will screen “West Side Story,” starring Natalie Wood and Richard Beymer, on Tuesday, March 12, 2019. Courtesy photo.


LAKEPORT, Calif. – The 1961 musical, “West Side Story,” starring Natalie Wood, Richard Beymer and Rita Moreno, screens at the Soper Reese Theatre on Tuesday, March 12, at 1 and 6 p.m.



‘HAPPY DEATH DAY 2 U’ Rated PG-13

Something about a killer wearing a creepy baby mask is even more disturbing than a killer clown or a madman chasing his victims with a chainsaw, and that alone is the scariest thing about “Happy Death Day 2 U.”

Ostensibly, the genre for this sequel to “Happy Death Day” is classified as horror. Nevertheless, it plays well for its comedic tone, which is mainly a result of Jennifer Rothe’s college student Tree Gelbman gamely defying death in amusing ways.

All that you need to know about the original film inspired by “Groundhog Day” is that Tree had to relive being killed over and over again on her birthday until identifying and overcoming the killer.

The premise remains fairly much the same, albeit with the twist that Tree is now looped into an alternate universe infused with a science-fiction element due an expanded role for nerdy Asian tech wizard Ryan (Phi Vu) drawn into same vortex of demise.

Along with fellow science students, Ryan figures notably in the scheme of things by spending his college years building a machine designed to prove that time can be slowed down to the molecular level.

The experiment could qualify for a Nobel Prize or, more likely, result in the university and everything within a 100-mile radius being blown to smithereens. No wonder the college dean is constantly throwing fits and threatening expulsion.

Though Tree again wakes up with a hangover and unharmed in the same room with nerdy Carter (Israel Broussard), things are different in that her mother is still alive, her sorority sister Danielle (Rachel Matthews) is dating her boyfriend, and her roommate is sane.

What does remain, more or less, the same is that Tree is still blissfully yet amusingly self-centered, and has no trouble taunting the closeted male student who wants to know why she won’t return his texts or displaying general disrespect to some classmates.

While frustrated about tossed so rudely back into an endless spiral of death, Tree develops a greater sense of humanity. This could be attributed to the fact that the slasher threats are now also directed as well to other students in her circle.

Seeking to put an end the cycle of death at the hands of a masked killer, Tree finds ways to hasten the denouement by suicidal means, from leaping from the clock tower to jumping head first into a wood chipper.

Anyone who enjoyed “Happy Death Day” should find that the “2 U” sequel is equally, if not more so, entertaining, particularly because the contagious humor smoothes the rough edges of the horror elements into a pleasant package.

Also working to its advantage is that “Happy Death Day 2 U,” much like its predecessor, knows full well that it has turned the usual horror tropes into an agreeably humorous exercise of mindless fun.



‘FREE SOLO’ ON NATIONAL GEOGRAPHIC CHANNEL

The daring, death-defying exploits of free climber Alex Honnold in “Free Solo,” originally released in limited theatres, is now featured on the National Geographic Channel.

Fittingly, “Free Solo” has now taken home the Oscar for best documentary feature and the timing of this award could not prove to be anything but a big boost to garner a wider audience for an event that looks humanly impossible.

To watch Alex Honnold climb the 3,000 feet of the sheer granite face of El Capitan in Yosemite National Park is to witness a feat never accomplished before.

The act of free solo is when a rock climber scales the vertical wall of a mountain without the benefit of ropes and a safety system. In comparison, surfing the Banzai Pipeline on Hawaii’s North Shore seems much less hazardous.

The documentary notes the unfortunate deaths of many free solo artists, but Honnold is not among them. Instead, we see a man undaunted by having climbed untold number of mountains, but El Capitan initially gives him pause.

The film fleshes out some elements of his childhood and the fact that in his adult years (now in his early 30’s), Honnold has cut his own path, unencumbered by relationships until he meets his girlfriend Sanni McCandless (also featured in the film).

The presence of Sanni adds an emotional connection to the business of figuring out a guy who lives in a van roaming the world for his next adventure. It’s noted that he always chooses the mountain over the girl.

What motivates Honnold to risk death? While the subject may not provide the answer, the brain scan discovery of his amygdala reveals that, unlike us mere mortals, he has no fear.

Whatever the psychological makeup of Honnold may be, “Free Solo” is gripping drama as you watch his perilous ascent up El Capitan using only his hands and feet to climb sheer cliffs.

During the winter press tour, Honnold claimed that he still wants “to improve as a climber.” One wonders what could be the next challenge for his nail-biting adventures.

Tim Riley writes film and television reviews for Lake County News.

Matt and Jill Rothstein. Courtesy photos.


LAKEPORT, Calif. – The Rothstein Experiment, a newly formed local jazz group, is slated to perform at the Soper Reese Theatre at 7 p.m. Saturday, March 2.

This show is the third of four performances making up the new Saturday Night Jazz Club Series at the Soper Reese Theatre.

Tickets are $20 with open seating.

The March 2 program, entitled “New Standards: Expanding the Jazz Songbook,” will explore modern and ancient themes in the present tense.

An evening of songs and conversation, offering a behind the scenes look into the process of a working jazz ensemble.

The group includes Jill Rothstein, vocals; Matt Rothstein, saxophone, vocals; Tom Aiken, piano, keyboard, melodica; Jacob Turner, guitar; Raj Sodhi, upright bass; and Gabriel Yañez, percussion.

Sponsored by Karen and Bob Ellenberg and by Sandy and Rick Orwig.

Tickets are available at www.soperreesetheatre.com; at the theater’s Box Office, 275 S. Main St., Lakeport, two hours before show time; at The Travel Center, 1265 S. Main St., Lakeport, Monday through Friday from 9:30 a.m. to 4:30 p.m. The theater telephone is 707-263-0577; Travel Center phone is 707-263-3095.

Ted Kooser. Photo credit: UNL Publications and Photography.

Marge Saiser, who lives in Nebraska, is a fine and a very lucky poet.

With the passing of each year her poems have gotten stronger and deeper. That's an enviable direction for a writer.

This poem was published in The Briar Cliff Review and it looks back wisely and wistfully over a rich life.

Saiser's most recent book is “The Woman in the Moon” from the Backwaters Press.

Weren't We Beautiful

growing into ourselves
earnest and funny we were
angels of some kind, smiling visitors
the light we lived in was gorgeous
we looked up and into the camera
the ordinary things we did with our hands
or how we turned and walked
or looked back we lifted the child
spooned food into his mouth
the camera held it, stayed it
there we are in our lives as if
we had all time
as if we would stand in that room
and wear that shirt those glasses
as if that light
without end
would shine on us
and from us.

American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2018 by Marjorie Saiser, "Weren't We Beautiful," from The Briar Cliff Review, (Vol. 30, 2018). Poem reprinted by permission of Marjorie Saiser and the publisher. Introduction copyright ©2019 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

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