LUCERNE, Calif. – The Lucerne Alpine Senior Center will host “Open Mic Lucerne' from 6 to 11 p.m. Saturday, March 21.

Starting at 6 p.m. performers are on stage with house band FOGG, featuring classic, heavy metal rock and roll with original numbers and covers of your favorites.

Assistance is available with amplification.

The past events have seen full venues, so sign up early. Call 707-274-8779 for your reserved time or come and sign up beginning at 5 p.m. March 21.

Don’t miss this chance to showcase your talent. Being in the audience is great fun and free too. Music, comedy, mime, readings and any other activity that is family-oriented is appreciated. Room also is available for dancing and relaxing.

There is no charge for attending or performing.

Bring the whole family to this child friendly event.

At Open Mic Lucerne, a spaghetti feed is offered with traditional and vegetarian full meals available for $5.

All proceeds from dinner benefit the Lucerne Alpine Senior Center, a not-for-profit serving Northshore senior populations with on-site lunches, Meals on Wheels, personal advocacy and other services.

For more information about Open Mic Lucerne, call Lucerne Alpine Senior Center at 707-274-8779.

The center is located at 3985 Country Club Drive.

CHAPPIE (Rated R)

That the director of “District 9” also performed the same assignment for a film set in the dystopian future seemed to have a lot of promise, suggesting the type of science-fiction thriller with mass appeal.

Sadly for us and director Neill Blomkamp, “Chappie” is a tired and rusty exercise in formulaic filmmaking, resulting in an action thriller with only brief moments of excitement and not the least bit riveting for all the chaos created in its wake.

Oddly enough, the idea conveyed by “Chappie,” namely that a robot capable of human feeling and original thought could be the savior of an enslaved people yearning to be free and needing an ally to overthrow an oppressive police state, is never really materialized.

In the near future, Johannesburg, the largest city in South Africa, is a war zone that is ten times worse than anything seen in the Bronx back in the 1970s.

A daily death count of 300 almost seems low compared to the rampant violence perpetrated by roving gangs and captured in full color on the evening news.

The answer to this massive crime wave is the mobilization of a police force of robots (think “Robocop”) that are called Scouts; they are droids with a skinny, practical human-like shape, of sorts, with a face that looks like a video monitor and large rabbit-like antenna ears.

Assembled by a private corporation, the robots have been designed by primary engineer Deon (Dev Patel), a geeky tech guy who dreams big of creating a robot with artificial intelligence.

The Scouts are just killing machines that are controlled by monitors to gun down the gangsters that run out of control in sadistic rampages.

Rescuing a damaged droid from being crushed like the black Lincoln Continental in “Goldfinger,” Deon decides to ignore company policy and tinker with reassembling the robot with spare parts, just so that he program it with the ability to think and feel.
 
Unfortunately, the repaired robot falls into the hands of vicious gangsters, a terrible trio of poseurs, including fittingly Ninja and Yo-Landi Visser, members of the wild and crazy South African rap band Die Antwoord.

The two of them, covered in tattoos and bad haircuts, become surrogate parents to a robot they call Chappie (voiced by Sharlto Copley).

Where does Chappie’s creator, Deon, fit into all this? Well, he’s abducted along with the droid, but then released on the promise to return and help tutor the childlike robot into a functioning adult.

The problem is that Ninja and Yo-Landi, seemingly of low intelligence and bad manners, teach Chappie to cuss and walk like a street thug, while wearing rapper bling.

Needless to say, Deon is not too happy about the bad influences imposed on Chappie, since he desperately wanted to create a sentient being, albeit one of manufactured intelligence, yet capable of being a better person than the degenerates who have taken him.

Meanwhile, Deon has to contend with a rival colleague Vincent (Hugh Jackman), who wants to see the Scouts fail only so that he can get the green-light for his own creation, the Moose, an aptly-named monster droid that resembles something out of “Transformers.”

The head of the Tetra Vaal corporation that makes the robots is the no-nonsense Michelle Bradley (Sigourney Weaver, largely wasted with little to do other than deny Deon his wish to create a sentient robot), who only cares about the bottom line, not the efficacy of the robotic policing efforts.

Director Blomkamp evidently had in mind developing larger themes of moral conscience, societal collapse and the oppressive weight of authority juxtaposed with unchecked rebellion, albeit one fueled by criminal greed rather than any idealistic notions of liberation.

Yet, any thematic notions of grander issues are lost in the shuffle of bombast and fairly absurd violence, such as the street riots that overtake Johannesburg when the police robots are short-circuited and literally fall down on the job.

Indeed, “Chappie” becomes regrettable because the titular robot represented hope for creating a better world, allowing those unjustly oppressed by a police state to rebel. Instead, Chappie is merely used by one set of gangsters to fight even worse criminals, as well as to carjack some high-priced wheels.

Scratch beneath the surface of the action scenes, the best of which come near the end when Chappie battles the Moose, and we’re left with an action film that isn’t terribly interesting. “Chappie” fails to connect on the central idea that a machine could literally come alive.

After about two hours of listening to the annoying voice of Chappie, the last thing that any sentient being would want is for this robot to be fully realized with artificial intelligence.

Better that “Chappie” be soon forgotten, which is probably more likely than not.

Tim Riley writes film and television reviews for Lake County News.

LUCERNE, Calif. – The Lucerne Alpine Senior Center will host the monthly North Shore Poets and Song Writers Gathering on Wednesday, March 11.

The event will take place from 7 to 9 p.m. at the center, 3985 Country Club Drive.

All poets and songwriters from Lake County are welcome.

Coffee, tea and refreshments are provided but feel free to bring other snacks to share. 

This is a free event and all present will have an opportunity to read and/or sing.

If you want to accompany your shared writing, feel free to bring your instrument.  If you are a poet or songwriter, join this kick-off event.

All ages over 18 and styles are invited to the gathering.

For more information about services or the North Shore Poetry and Song Writer Gathering, call Lucerne Alpine Senior Center at 707-274-8779.

Lucerne Alpine Senior Center, is a not-for-profit that serves north shore senior populations with on site lunches, Meals on Wheels and advocacy. 

Many of us have built models from kits – planes, ships, cars.

Here’s Robert Hedin, a Minnesota poet and the director of The Anderson Center at Tower View in Red Wing, trying to assemble a little order while his father is dying.

Raising the Titanic

I spent the winter my father died down in the basement,
under the calm surface of the floorboards, hundreds

of little plastic parts spread out like debris
on the table. And for months while the snow fell

and my father sat in the big chair by the Philco, dying,
I worked my way up deck by deck, story by story,

from steerage to first class, until at last it was done,
stacks, deck chairs, all the delicate rigging.

And there it loomed, a blazing city of the dead.
Then painted the gaping hole at the waterline

and placed my father at the railings, my mother
in a lifeboat pulling away from the wreckage.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright 2013 by Robert Hedin from his most recent book of poems, The Light Under the Door, (Red Dragonfly Press, 2013). Poem reprinted by permission of Robert Hedin and the publisher. Introduction copyright 2015 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. They do not accept unsolicited manuscripts.

LAKEPORT, Calif. – Lakeport Library will show three family-friendly movies in March.

The free program is open to all ages, but children must be accompanied by an adult.

Lakeport Library will have two showings of a movie for children this month, one on March 7 at 10:30 a.m. and a second showing on March 18 at 5 p.m.

Based on the classic children’s book by Judith Viorst, “Alexander and the Terrible, Horrible, No Good, Very Bad Day” follows a boy as he struggles with a day of turmoil and finds consolation when he learns that everyone has bad days.

The library also will present two afternoon movies for older audiences in a Book to Film series of movies based on books.

On March 12 at 2 p.m. the featured movie is based on the classic gothic novel by Daphne DuMaurier, “Rebecca,” and stars Laurence Olivier as Maxim DeWinter and Joan Fontaine as his shy young second wife who must compete with the memories of Maxim’s first wife Rebecca.

The movie to be shown on March 26 at 2 p.m. is “Friendly Persuasion,” based on the book by Jessamyn West about the Birdwell family living in Indiana in 1862 when tensions ran high along the border between the Union and the Confederacy.

The heart-warming story stars Gary Cooper and Dorothy McGuire as Jess and Eliza Birdwell whose Quaker beliefs are tested by events in their neighborhood.

For more details call Lakeport library at 707-263-8817 or visit the library.

Lakeport Library is located at 1425 N. High St., and is open Tuesday, Thursday, Friday and Saturday, 10 a.m. to 5 p.m., and Wednesday, 10 a.m. to 7 p.m.

The Lake County Library is on the Internet at www.library.lakecountyca.gov and on Facebook at www.Facebook.com/LakeCountyLibrary .

The library’s calendar of events can be found at http://www.co.lake.ca.us/Government/Directory/Lake_County_CA__Library/Calendar.htm .

Competition among cable networks in recent years for major event series programming has been fierce, with dramas such as “Breaking Bad,” “Mad Men,” “Game of Thrones” and “Homeland” garnering critical acclaim and awards. These shows run on the HBO, AMC and Showtime cable channels.

What’s missing in this mix of cable outlets is the USA Network, which may not have a cabinet full of awards, but does manage to crank out many popular entertainment series such as the spy thriller “Burn Notice,” the riveting legal drama “Suits,” and the ever popular “White Collar.”

Since last summer, USA Network has been talking about going big, launching an event series that is deep into murder mystery and rich in conspiracy theories. It was in July, 2014, when Chris McCumber, the network president, told a gathering of the nation’s TV critics about the action event series “Dig.”

At the time, McCumber was touting the “provocative new show set in Jerusalem” which would be “a ‘Da Vinci Code’ like thriller starring Anne Heche and Jason Isaacs that follows the discovery of a conspiracy 2,000 years in the making.” Indeed, the USA executive convincingly made the whole enterprise sound like a big deal.

Drawing a larger portrait of the “Dig” experience was executive producer Tim Kring, who observed that the closed end series of six episodes would focus on the story having a beginning, middle and end.

And to validate the point, series star Jason Isaacs claimed he found “continual frustration” with open ended series that never reach a conclusion.

Now that “Dig,” which was reportedly on filming hiatus for a while during armed conflicts arising in the Middle East, is ready to roll out on Thursday, March 5, the adventure has expanded to a ten-episode event, which given the essence of the series’ complicated storylines may be absolutely essential to reaching a satisfactory ending.

Even after watching the first two episodes, I found that “Dig” holds one in suspense because the nature of the conspiracy, of which there is apparently more than one, remains a big mystery.

Initially, the plot gets rolling when Jason Isaacs’ FBI agent Peter Connelly, stationed in Jerusalem, gets involved in the murder investigation of a young American female archeology student (Alison Sudol).

Several threads in the narrative create interesting scenarios. Though Jerusalem is the primary backdrop for the action involving Connelly’s sleuthing, interconnected events are happening in desolate areas of Norway and New Mexico, as well as in a scenic coastal area of Croatia, that have a real bearing on the overall story.

Biblical prophecy is a big part of the story, and it may cause viewers to do some of their own background research, if for no other reason than to satisfy curiosity about historical incidents or to explore the vast reach of conspiracy theories.

Hasidic Jews converge on a farm in rural Norway to witness the birth of a red heifer, which will figure into a dangerous journey by land and sea back to Israel. By all means, conduct your own Google search on the meaning of the red heifer for biblical prophecy.

Meanwhile, in a remote desert area of New Mexico, a religious cult under the leadership of Pastor Ted Billingham (David Costabile) has sheltered a young child from the impurities of the outside world, cultivating the youngster’s potential as a messiah, even while church adherent Debbie (Lauren Ambrose) harbors serious doubts about the cult’s activities.

Most of the action takes place in Jerusalem where Connelly reports to the American consulate station chief Lynn Monahan (Anne Heche), resulting in an often awkward situation for him not only because he’s an independent operator unconstrained by diplomatic niceties, but he’s also sleeping with his boss.

For his part in the murder investigation, Connelly doesn’t play well with others, resulting in a source of real friction with Israeli detective Golan Cohen (Ori Pfeffer), who insists that the American has no jurisdiction in a foreign land and as a result, must work in cooperation with and subservient to the local authorities.

The premise of “Dig” is both interesting and promising, and the essentially mysterious nature of the unfolding conspiracies commands attention.

In fact, the series requires one to pay attention to the details, which can be as obscure as the scribbling in the archeologist’s notebook.

Hyped as an action thriller, “Dig” doesn’t fit neatly into the popular conception of what is required for the action to be authentically rousing and full of excitement. “Dig” seems preoccupied with peeling back the many layers of mystery, and that alone may be just enough to keep viewers coming back week after week.

Tim Riley writes film and television reviews for Lake County News.