Tuesday, 26 November 2024

Arts & Life

tedkooserbarn

When grief is so heavy that we need to set it down, poetry is a good place to set it.

Here's a fine poem by Minnesota poet Sharon Chmielarz from her book with photographer Ken Smith, “Visibility: Ten Miles,” published by North Star Press of St. Cloud.

Playing His Heart Out

That day we were trapped
between chartreuse living
room walls and the godly
cleanliness of afghans
saving sofas and chairs.

We were talking about
anything except Uncle Carl—
gone, how we'd miss him—
when Uncle Gus came down
the hall and stood in

the archway, his wiry
body strapped under a black
accordion. "Haven't played,"
he said, "for a long time."
So he played a waltz and I

squirmed in my chair under
the slow flow of grief. He
played a polka and I heard
my sister clapping lightly
for the mourner bending over

the keys. His cheek-bones,
red as Helgoland's
cliffs on the North Sea. Gulls
whirled and screamed around
the black load on his heart.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. They do not accept unsolicited submissions. Poem copyright ©2015 by Sharon Chmielarz , “Playing His Heart Out,” from Visibility: Ten Miles, (North Star Press of St. Cloud, Inc., 2015). Poem reprinted by permission of Sharon Chmielarz and the publisher. Introduction copyright © 2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

mymothersvillage

UKIAH, Calif. – From Feb. 11 through March 20, Mendocino College will host an exciting series of events that will explore the Native peoples of the Arctic: the Eskimo and Inuit.

These events will include an exhibit of Eskimo and Inuit art in the Mendocino College Art Gallery, and several free events that will undoubtedly stimulate thoughts and questions related to these cultural groups and the extreme environments in which they have lived and continue to live.

“I have been studying and traveling to many arctic regions for quite some time, and as a professor of Native American Art have become fascinated with these extraordinary cultural groups who have lived in North America’s harshest environments for thousands of years,” said Leslie Saxon West, exhibit curator and coordinator of this event. “I was eager to expose our college students and the community to the art that has been produced, past and present, by Native inhabitants of these regions, but in order to really understand their art, one needs to understand the people, their history, beliefs, traditions, and environment.”

She added, “When I was thinking about what to call this project, I imagined the many arctic communities I have visited and the landscape, which at first glance is stark. But within the starkness is extraordinary abundance, abundance of beauty and abundance of life. 'Stark Abundance: Through the Eyes of Arctic First Peoples' examines this abundance as it relates to plants, animals, geology, ecology, as well as spiritual beliefs, and human ingenuity and creativity.”

The first event to unfold is an exhibit, which opens on Feb. 11, 4 to 6 p.m. in the Mendocino College Art Gallery, that focuses on art produced by Eskimo and Inuit peoples of the United States and Canada, art that speaks to and mirrors what they see as crucially important – family, land and sea, animals, the spiritual world, and how they are all interconnected.

Those coming to the exhibit will see a variety of pieces including objects made of stone, bone, antler, and baleen as well as Inuit prints, drawings, and tapestries, Eskimo dance masks and regalia, and utilitarian objects made of fish skin, animal organs, and animal hides.

Since Arctic communities are very cold and mostly made up of rock and ice, Arctic people have always survived on sea and land animals alone.

Native peoples of the Arctic have an intimate and spiritual relationship with animals. Animals are not taken for granted and the native peoples feel that they are honoring the animal that has given itself by utilizing every part of its body.

Bones, muscles, ligaments, teeth, internal organs, hides and even whiskers, were traditionally utilized for food, clothing, tools, heat and to construct dwellings. People of the Arctic have always lived sustainably, taking only what they need to survive.

On Tuesday, Feb. 16, from 5 to 8 p.m. in the Mendocino College Art Gallery, Yup’ik artist Drew Michael, from Anchorage, Alaska, will give a presentation on Yup’ik mask and dance traditions and will talk about his own journey as a Native Alaskan in today’s world, and how his art is helping him connect with his heritage.

On Saturday, Feb. 20, from 10 a.m. to 1 p.m. in the Mendocino College Little Theatre, art, science and history come together as Mendocino College educators Steve Cardimona, professor of Earth sciences; Alan West, professor of biology and marine sciences; Rebecca Montes, professor of history; and Leslie Saxon West, professor of Native American art and dance, team up to discuss arctic ecology and how it has changed over the last century, the historical events affecting Arctic first peoples, and how these events are mirrored in the art that is produced in these areas.

Government politics and history, as it relates to Arctic first peoples will be explored on Friday, March 4, from 6 to 9 p.m. in the Center for Visual and Performing Arts room 5310, when a series of documentary films will be presented.

These films will address the displacement of Inuit and Eskimo families by the US and Canadian governments, the loss of the nomadic lifestyles perpetuated by the slaughter of sled dogs and other poignant topics.

Finally, on Saturday, March 12, from 10 a.m. to 1 p.m. in room 5310, Leslie Saxon West presents “Sustainability, Survival, and the Sacred: Through the Eyes of Arctic First Peoples,” a multimedia exploration of the integration of art and a subsistence-based life in the Arctic.

This exhibit and project were made possible with the generous support of the Mendocino College Foundation, Khoury Dentistry, Phyllis Curtis, Daniel Saxon and Channing Chase.

All events are free and open to the public.

The Mendocino College Art Gallery is open on Tuesday, Wednesday and Thursday from 12:30 to 3:30 p.m. or by appointment, and school and group tours may be arranged by calling Leslie Saxon West at 707-468-3079.

For additional information go to www.mendocino.edu/the-arts/art/art-gallery .

oct2015fiddlers

KELSEYVILLE, Calif. – The Ely Stage Stop & Country Museum welcomes back the Old Time Fiddlers Association for the monthly First Sunday Fiddlers’ Jam on Sunday, Feb. 7.

Fiddlers, as well as other musicians, will meet in the Ely barn to perform their wonderful Americana music. Donations benefit both the Ely Stage Stop, helping to fund the blacksmith shop, and the Old Time Fiddlers Association, helping to fund their scholarship programs.

The fun begins at the museum at 11 a.m. Come and enjoy the main house displays, learn the history of the building and its relocation to the present site, and get the latest information on up-coming events as spring is just around the corner.

Musicians will play from noon through 2 p.m. (allowing plenty of time to get home and set for the Super Bowl). There will be the regular monthly raffle with a Valentine theme near the end of the day.

This is a free, family friendly event for all to enjoy, so bring young and old alike. Enjoy the music with hot beverages and tasty treats. Bring your own wine and sip it in Ely Stage Stop wine glasses that will be available for purchase. Don’t miss the chance to clap your hands, tap your toes and maybe get up and dance.

Lake County Historical Society’s Ely Stage Stop & Country Museum is located at 9921 State Highway 281 (Soda Bay Road) in Kelseyville, near Clearlake Riviera, just north of Highway 29-Kit's Corner.

Current hours of operation are 11 a.m. to 3 p.m. each Saturday and Sunday. Fiddlers’ Jams occur the first Sunday of every month. Living History events are held on the fourth Saturday of each month, again, from noon until 2 p.m.

Come join the fun and become a volunteer at Ely. Applications will be available.

Visit www.elystagestop.org or www.lakecountyhistory.org , check out the stage stop on Facebook at www.facebook.com/elystagestop or call the museum at 707-533-9990.

LAKEPORT, Calif. – Join LakeWorks, Watershed Books and the Main Street Gallery as they celebrate the first “First Friday” event of 2016 from 5 to 7 p.m. Friday, Feb. 5.

Authors and artists will be on hand to share their insights and inspirations.

Dennis Purcell will delight with Americana music, and perhaps invite everyone to “sing along” at LakeWorks.

Hilarie will entertain at Main Street Gallery, and wine and delicious refreshments will be available.

Watershed books is located at 305 N. Main St., with the Main Street Gallery at 325 N. Main St. in Lakeport.

For more information please call Cheri Holden at 707-263-5787.

anniehallposter

LAKEPORT, Calif. – Just in time for Valentine’s Day is Woody Allen’s 1977 opus, “Annie Hall,” which screens at the Soper Reese Theatre in Lakeport on Tuesday, Feb. 9, with show times at 1 and 6 p.m.

Billed as “a nervous romance” and starring Allen and Diane Keaton, the film is ranked No. 1 on the Writers Guild of America’s list of 101 Funniest Screenplays.

The sophisticated, yet sentimental film also won the Academy Award for Best Picture and Oscars were awarded to Keaton for Best Actress and Allen for Best Director and Screenwriter.

The movie is sponsored by H&R Block, Lakeport, and Hospice Services of Lake County. It is rated PG, with run time of 1 hour 33 minutes. Entry to the film is by donation.

The Soper Reese Theatre is located at 275 S. Main St., Lakeport, 707-263-0577, www.soperreesetheatre.com .

tedkooserchair

This column is more than 10 years old and I've finally gotten around to trying a little origami!

Here's a poem about that, and about a good deal more than that, by Vanessa Stauffer, who teaches writing at Oakland University in Rochester, Michigan.

Lessons

To crease a sheet of paper is to change
its memory, says the origami
master: what was a field of snow
folded into flake. A crane, erect,
structured from surface. A tree
emerges from a leaf—each form undone

reveals the seams, pressed
with ruler's edge. Some figures take
hundreds to be shaped, crossed
& doubled over, the sheet bound
to its making—a web of scars
that maps a body out of space,

how I fashion memory: idling
at an intersection next to Jack Yates High,
an hour past the bell, I saw a girl
fold herself in half to slip beneath
the busted chain-link, books thrust
ahead, splayed on asphalt broiling

in Houston sun. What memory
will she retain? Her cindered palms,
the scraped shin? Braids brushing
the dirt? The white kite of her homework
taking flight? Finding herself
locked out, or being made

to break herself in.

American Life in Poetry is made possible by The Poetry Foundation ( www.poetryfoundation.org ), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. They do not accept unsolicited submissions. Poem copyright ©2015 by Vanessa Stauffer, “Lessons,” from third coast (Winter, 2015). Poem reprinted by permission of Vanessa Stauffer and the publisher. Introduction copyright © 2016 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

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