Tuesday, 26 November 2024

Register

Arts & Life

Posted On

Cyanotype by Shane Powers.

MIDDLETOWN, Calif. – Explore the intriguing technique of cyanotype, as part of Photographing Resilience at Middletown Art Center or MAC.

The class will take place Sunday, Nov. 5, from noon to 5 p.m.

The cost is just $5 and open to adults and teens 12 and up, whether new to art making or professionals.

“This class will be very different, very hands-on, and everyone will leave with at least one beautiful piece of hand-made art and plenty of ideas for more,” said MAC photography instructor Shane Powers.

Cyanotypes, also known as the “sun print” or “blue print,” are achieved using safe and simple chemicals activated by ultraviolet light and “developed” with water.

One of the very first photographic printing processes, cyanotypes were discovered in the mid-1800s.

Architects’ line drawings were easily copied into architectural blueprints. Naturalists used the technique to “photocopy” field notes to create accurate illustrations of plants. Quilters, dressmakers and artists have applied the process in many forms.

“Participants will make ‘digital negatives’ using transparencies from photographic images or drawings, or they can use mementos and natural objects to create compositions,” explained Powers. “This is a very versatile process that can be applied to a variety of surfaces. The possibilities are endless and inspiring not only for photographers, but for artists of all kinds and other curious creatives. So come to class and bring a friend.”

Please reserve your spot at www.middletownartcenter.org/resilience, email This email address is being protected from spambots. You need JavaScript enabled to view it. or call 707-809-8118.

Space is limited. To increase creative options, bring a camera, phone or thumb drive with your digital images and/or bring mementos and objects from home.

The Resilience Project was initiated to increase access to the arts throughout Lake County.

The project also focuses on nature’s resilience as a mirror for our own recovery post-fire. Resilience classes provide a safe space for community members to learn, share, and hone skills that give form and artistic voice to their creativity while having a great time making art.

The project will culminate in exhibitions countywide, and a chapbook of poetry and images created by participants.

Resilience was made possible through a Local Impact Grant from the California Arts Council with support from Adventist Health.

Join the folks at MAC this weekend or any first through fourth weekend of the month until May 2018 for Resilience Project classes in photography, creative writing, painting and printmaking.

Please note that there are some changes to the regular schedule during November and December due to holidays, so please check the Website.

MAC is located at 21456 State Highway 175 at the junction of Highway 29 in Middletown.

Visit www.middletownartcenter.org to learn more about MAC and the Resilience Project.
Posted On


ONLY THE BRAVE (Rated PG-13)

Wildfires have been an unfortunate big news item lately with the raging inferno that has consumed vast areas of Lake, Mendocino, Napa, Solano, Sonoma and a number of other Northern California counties.

Of course, the devastation has been horrific, even though firefighters valiantly battle the furious flames.

“Only the Brave,” based on the true story of a heroic crew of firefighters that became one of the most elite firefighting teams in the nation, arrives in a timely manner to remind us that heroes even sometimes have to fight Mother Nature.

You might be better off going into this movie not knowing the disturbing true story of the infamous Arizona wildfire known as the Yarnell Hill Fire, but even some knowledge of the fateful outcome should not detract from the compelling cinematic narrative.

Chances are you have never heard of the Granite Mountain Hotshots, or even what it means for a firefighting crew to be known as “hotshots,” which by all means is not the usual connotation of a showy or flashy person.

A special and honored designation, hotshots are the country’s top wildland firefighters – the Navy SEALs of firefighting. They don’t carry hoses; they literally fight fire with fire, digging lines, cutting down trees, lighting back burns to battle a wildfire.

In Prescott, Arizona, Eric Marsh (Josh Brolin), mentored by Fire Chief Duane Steinbrink (Jeff Bridges), sets out to lead a group of 20 men to be the first local city fire crew to achieve the exalted status of hotshots.

It’s a dangerous occupation that compels discipline, teamwork and dedication, but Marsh, by virtue of his temperament, commitment and loyalty to his men, is the right guy to inspire the guys to risk their lives to save others.

Though not given to any sentimentality, Marsh is willing to give a chance to Brendan “Donut” McDonough (Miles Teller), a drug user that has run afoul of the law as well as an expectant father, to turn his life around by joining the team as a probationary recruit.

In many ways, the story is told from the perspective of McDonough, a fallible character, who has to earn the trust of crew supervisor Marsh, the 20-year veteran who is very much aware of his own imperfections.

The emotional core of the movie is the relationship between a troubled, very young novice and a more senior man who has already come to term with the weaknesses in his life and aspires to build the kind of man who is more a credit to the team than a hero.

Another key character is Marsh’s wife Amanda (Jennifer Connelly), a strong-willed woman who runs their ranch when he’s off fighting fires while also tending to her own business of caring for horses as a farrier.

Fire also burns in the relationship between Marsh and his wife Amanda, a couple very much in love but under significant strain. They share a love of the outdoors, but the demands of his job certainly impacts their marriage, given that Marsh is away so much fighting fires.

Now it’s obvious that in a disaster film involving fire, the action focus is to be some enormous conflagration. But “Only the Brave” takes its time to put the fire crew through its paces to first achieve the “hotshot” status that does not come easily.

For one thing, not everyone is thrilled that Marsh wants to take a chance with Brendan. Fellow firefighter Chris MacKenzie (Taylor Kitsch) doesn’t give Brendan the benefit of the doubt, aware of his past and thinking he could hold the crew back from its mission.

And yet, Brendan through his actions manages to gain Chris’ trust so that eventually they become roommates and best friends, and there is attention paid to how that relationship develops and changes.

The same can’t quite be said for many of the others on Marsh’s team, but then aside from Marsh’s dependable right-hand man Jesse Steed (James Badge Dale), who’s a force of nature in his own right, it’s hard to flesh out the remaining crew members in a memorable sense.

More than most action films focused on an elite squad, this one is truly an ensemble piece where the collective efforts of the crew figure immeasurably into the whole of the action scenes.

The Granite Mountain Hotshots quickly establish themselves as true wildfire fighters, and even gain heroic status with the locals for saving a treasured ancient tree during another epic blaze raging out of control.

Once having been certified as hotshots, the Granite Mountain team is challenged to fighting several sequences of wildfires that are quite stunning with great visual impact in their combustible intensity.

The rampant flames, however, never really overpower the personal issues that are handled so effectively by Josh Brolin, Jennifer Connelly, Miles Teller and Jeff Bridges, most notably the best fleshed-out characters.

Still, the Yarnell Hill Fire, the climactic fiery showdown, demonstrates how the catastrophe of a devastating wildfire makes “Only the Brave” a respectful tribute to real-life heroes.

Tim Riley writes film and television reviews for Lake County News.


Blog Left ad
Posted On

I was deeply moved by this week's poem, which shows us the courage of a person struggling with a disability, one that threatens the way in which she wishes to present herself.

It illustrates the fierce dignity that many of us have observed in elderly people.

Wesley McNair served five years as poet laureate of Maine, and his most recent book is “The Unfastening,” published by David R. Godine.

My Mother's Penmanship Lessons

In her last notes, when her hand began
to tremble, my mother tried to teach it

the penmanship she was known for,
how to make the slanted stems

of the p's and d's, the descending
roundness of the capital m's, the long

loops of the f's crossed at the center,
sending it back again and again

until each message was the same:
a record of her insistence that the hand

return her to the way she was before,
and of all the ways the hand had disobeyed.

American Life in Poetry does not accept unsolicited manuscripts. It is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright ©2016 by Wesley McNair, “My Mother's Penmanship Lessons,” from The Unfastening, (David R. Godine, 2017). Poem reprinted by permission of Wesley McNair and the publisher. Introduction copyright ©2017 by The Poetry Foundation. The introduction’s author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.
Posted On

Joseph Hutchison has been writing good poems for more than 40 years, and I have been reading them for just that long.

He lives in Colorado, where he is the state Poet Laureate, and his latest book, “The World As Is: New & Selected Poems,” has just come out from New York Quarterly Books.

Here's a father's poem from that fine collection.

Lifting My Daughter

As I leave for work she holds out her arms, and I
bend to lift her . . . always heavier than I remember,
because in my mind she is still that seedling bough
I used to cradle in one elbow. Her hug is honest,
fierce, forgiving. I think of Oregon's coastal pines,
wind-bent even on quiet days; they've grown in ways
the Pacific breeze has blown them all their lives.
And how will my daughter grow? Last night, I dreamed
of a mid-ocean gale, a howl among writhing waterspouts;
I don't know what it meant, or if it's still distant,
or already here. I know only how I hug my daughter,
my arms grown taut with the thought of that wind.

American Life in Poetry does not accept unsolicited submissions. It is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright ©2016 by Joseph Hutchison, “Lifting My Daughter,” from The World As Is: New & Selected Poems, 1972-2015, (New York Quarterly Press, 2016). Poem reprinted by permission of Joseph Hutchison and the publisher. Introduction copyright © 2017 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Subcategories

Cinema

Home and Garden

LCNews

Responsible local journalism on the shores of Clear Lake.

 

Memberships:

 

Search