KELSEYVILLE, Calif. – Lake County Theatre Co. will present its final performances of its production of “Miracle on 34th Street” on Saturday, Dec. 8, and Sunday, Dec. 9.
The performances take place at 7 p.m. Saturday and 2 p.m. Sunday in the Gard Street School Multipurpose Room, 3890 Gard St., Kelseyville.
The play was written by Mountain Community Theater in Ben Lomond and is based on the Twentieth Century Fox motion picture of the same name.
Tickets are available at Watershed Books, 305 N. Main St., Lakeport; Wildhurst Vineyards, 3855 Main St., Kelseyville; and 30 minutes before performances as the door.
Reserved seats cost $15, general $12, seniors and LCTC members save $2 and children under age 5 attend for $5 and tickets for a family of four cost $25.
For information, call 707-279-2595 or 707-998-0224.
LAKEPORT, Calif. – The Lake County Arts Council will host its monthly First Friday Fling on Dec. 7.
The event will take place from 5:30 p.m. to 7 p.m. at the Main Street Gallery, 325 N. Main St., Lakeport.
The First Friday Fling will introduce the work of Steve Bellah, Terry Durnil and Bonnie Sears.
Currently on display are the works of Ray Farrow, Ruth Morgan, Xian Yegan, Jill Taylor, Lois Feron, Shelby Posada, Leonora McKenzie, Pat Courtney, Carol Yanagitsubo, Gary Simpson and Leah Adams.
Musical performers will include David Neft on piano and Linda Brown on the harp.
This month the Linda Carpenter Gallery will feature an exhibition of original miniatures by local artists.
Also taking place in December is the gallery’s painted bottle silent auction fundraiser. Vote for your favorite and make a bid.
Bell Hill Winery will pour its vintages. Finger food also will be offered.
For more information contact the Lake County Arts Council, 707-263-6658.
LOWER LAKE, Calif. – This Christmas holiday the Konocti Unified School District’s seventh and eighth grade drama program will be presenting their annual Christmas musical.
This year’s play is “A Snow White Christmas.”
It will be held in the Lower Lake High School’s multipurpose room on Friday, Dec. 14, and Saturday, Dec. 15, at 7:30 p.m.
Tickets will be $5 dollars for everyone.
The cast is 32 members strong consisting of students from Pomo, Burns Valley and Lower Lake Elementary.
The cast includes Kalysta Ann Howard, Cate Oswalt, Cataleena Steward, Angelina Acosta, Jessie Salazar, Dallas Kuckowicz, Chloe Cox, Samantha Lopez, Cecelia Hendren-Brown, Natalie Carte, Mariah Bickham, Ryan O’Bryan, Anthony Madero, Rachel Loren Cabral, Rebecca Chavez, Victoria Cuellar, Krystal Mohn, Jamara Richardson, Austin McGrath, Mia Vandagriff, Janet Perez, Briana Galvez, Sami Caires, Sophia La Rose, Karlee Weese, Jessica Teixeira, Savanna Randall and William Vizena.
A few high school drama students also will be making guest appearances and co-directing: Patrick McGeogh, Colby Callhan, Michelle Kimbsey-Bailey, Cedalia Schofield and Mira Porsley.
Also joining Ms. Lahr in her directing duties is Tiffany Sillert.
“This year’s cast is very talented,” said Lahr. “For many of the kids this is their very first play that they have participated in. It’s very exciting to see all of this young talent getting involved. It will help keep the high school program strong.”
There will be a short intermission during the show. Baked goods and last minute Christmas shopping will be available.
For additional information call Tracy Lahr at 707-994-6471, Extension 2735.
CLEARLAKE, Calif. –Second Sunday Cinema will mark the holidays with a film celebrating the intersection of spirituality and humanity.
“The Way” will be shown on Sunday, Dec. 9, at the Clearlake United Methodist Church, 14521 Pearl Ave. in Clearlake.
Doors open at 5:30 p.m. for snacks and socializing. The film, which begins at 6 p.m., is free.
“The Way” stars Martin Sheen as a cantankerous ophthalmologist who is very invested in his son becoming a doctor. So he’s rather angry when his son drops out of med school to walk “The Way,” a 500-mile-long path through France and Spain, the Camino de Santiago, that pilgrims have been walking for 1,000 years.
His son is accidentally killed very early in his walk, and Tom goes to Europe to claim his body for burial back home.
But when he picks up his son’s backpack and guidebook, Tom has a sudden change of heart, choosing instead to cremate the body and bring the ashes with him as he completes his son’s trek.
He’s eventually joined by three unlikely others, all with their own agendas, stated and unstated. As one might guess, the pilgrimage is more challenging and eventful than one might guess at the start.
Every one of the four is truly imperfect, and everyone wants to run away at times. But sticking with their commitment to themselves and each other, each slowly realizes – makes real – what they really need.
This is a documentary-like, intimate yet powerful film made as a labor of love by Sheen and his other son, Emilio Estevez.
Though both Sheen and Estevez say many “miracles” occurred during the filming trek, neither sees this as a film for Christians only, nor does it come across that way.
This is a film about human beings who need to connect, not only with God, but with each other and ultimately, with themselves.
Barbara Christwitz will lead a discussion after the film for those who wish to participate.
The bleak landscape of small-time gangster thriller “Killing Them Softly” rests not just with urban decay, but with the backdrop of the run-up to the 2008 presidential election.
Based on the George V. Higgins novel, “Cogan’s Trade,” this criminal enterprise film involves petty hoods and sleazy losers who are pretty much oblivious to world affairs and the economic meltdown.
As if to create a sense of impending doom, “Killing Them Softly” makes plentiful use of radio and TV clips of posturing by various political figures to underscore the gravity of America’s financial crisis.
The political chatter is little more than background noise to the crooks and wiseguys who foolishly scheme to rob a high-stakes mob-protected poker game. Even in a bad economy, they just want a quick score for big bucks.
A longtime hanger-on in the underworld, Johnny Amato (Vincent Curatola), now in the dry-cleaning business, has come up with a slick plan to rob the card game run by regular dealer Markie Trattman (Ray Liotta).
To complete the actual theft, Johnny turns to jittery young crook Frankie (Scoot McNairy), who is fresh out of jail and flat broke. In other words, Frankie is the perfect patsy.
For his part, Frankie makes the dubious choice of tapping for a partner his drug-addled friend Russell (Ben Mendelsohn), a gleefully seedy Australian junkie whose latest criminal enterprise involves dog theft.
The Markie Trattman card game is a convenient target because Markie once imprudently boasted of his complicity in a robbery of one of his own mob-protected games.
Naturally, the conspirators are only too certain that the mob’s suspicion will fall immediately upon Markie, the guy most likely to know all the inside information.
With more bluster than brains, Frankie and Russell manage to pull off the robbery and escape without being recognized. But only a fool believes in a foolproof plan.
And there’s the rub. While the low-rent hoods are congratulating themselves, the mob takes drastic steps to deal with this situation, bringing in the seasoned enforcer Jackie Cogan (Brad Pitt).
Dealing through the mob’s buttoned-up middle manager Driver (Richard Jenkins), Jackie is hired to investigate the heist and restore the criminal status quo. It won’t be easy or pretty.
While Jackie is cool, cynical and detached, his usually efficient manner is constrained by the bureaucratic mentality of the unseen mob bosses who expect Driver to communicate their instructions.
The essential imperative for Jackie is not only to mete out punishment, but to deliver a message to would-be thieves that no one is beyond the reach of a criminal enterprise jealously guarding its turf.
Though he’s the consummate professional, Jackie finds it’s frustrating to navigate mounting complications, so he brings in trusted colleague Mickey (James Gandolfini) to assist with the assignment.
The once reliable Mickey has now become surprisingly unpredictable, seeing how he’s much more interested in overindulging in alcohol and prostitutes than taking care of business.
A gangster thriller that involves contract killers is bound to be violent. “Killing Them Softly” certainly has its share of mayhem, including one of the most brutally grotesque beatings of recent memory.
But this crime story plays out to a different tempo than others in the genre. Indeed, the violence is either sadistically brutal or just simmering below the surface, keeping the audience on edge.
Surprisingly, the hoodlums are often garrulous, talking at great lengths often to the point of annoyance. This is particular true when the dimwitted Frankie and Russell prattle on like high school stoners.
The political context frequently gets in the way of the film’s essentially nihilistic worldview. Quite frankly, it seems unlikely that hoods would hang out in dive bars where C-SPAN is the TV channel of choice.
“Killing Them Softly” also goes against the grain by doing unusual things like making Ray Liotta a relatively sympathetic figure and James Gandolfini even more malevolent than his turn on “The Sopranos.”
The film’s saving grace is Brad Pitt’s unflappable, subdued performance as the world-weary hired gun. And when his Jackie has a conversation with Mickey or Driver, it’s worth paying attention.
“Killing Them Softly” is not effortlessly categorized, and as such, it may not find its audience easy to reach. In short, this film was not made for hardcore action junkies.
DVD RELEASE UPDATE
This column space has frequently extolled the virtues of vintage TV series being released on DVD. I am not about to stop the practice now.
Once again, it is a pleasure to announce the DVD release of a classic detective show, this time “Mannix: The Final Season,” where Mike Connors still does the hard-boiled, gritty private eye gig.
“The Final Season” is the eighth year that Connors’ Joe Mannix defies the rules and protocols while fighting crime on the streets of Los Angeles.
The series also prominently featured Gail Fisher, who had the distinction, according to Wikipedia, of being one of the first African-American actresses to have a regular TV series role.
Whatever the case, Fisher and Connors made a great team in fighting the bad guys. “The Final Season” demonstrates that the series retained its vitality to the very end.
“Mannix: The Final Season” offers nearly 20 hours of high-speed car chases, flying bullets and fistfights. Through it all, Joe Mannix takes a beating and keeps on ticking.
Tim Riley writes film and television reviews for Lake County News.
